vagabondliv.

queensday/ kingsday.
a nation dressed in orange.
talking about maxima’s dress.
silence at national remembrance day.
intense discussions about “hating” the germans.
sitting in a train department with three massive flags.
ajax amsterdam winning the dutch league.
long thoughts about nationalism.
passing by the tulip fields.
29/04-05/05
großes kino!

dorothea lange, ‘migrant mother’.
it’s been six or seven years since i first saw the above picture by dorothea lange. it stuck with me like few others. i remember a friend asking whether i knew the story behind it. i did not. all the better, that the regular readings for my diplomacy lessons closed this gap today.
the picture is likely the most popular of edward streichen’s exhibiton ‘the family of man’. it encompassed 503 pictures taken by 273 photographers, professionals and amateurs alike. one might ask: how were these dimensions possible?
answer: ‘the family of man’ has been devised as a tool of cultural diplomacy by the US president Eisenhower in 1955. it represents his response to communisms rather successful public diplomacy of associating socialism with international peace. the US, meanwhile, were engaged in korea, not seeming peaceful at all in the eyes of the world public. nicholas cull argues the exhibiton was an important contribution to changing this perception:
“The pictures provided multifacted glimpses of human life in all its diversity, including courtship, birth and parenting, work, learning, self-expression, and beyond. […] Within month of the exhibition opening in New York City, the USIA created two touring editions and sent one to Berlin and the other to Guatemala City. In Berlin, crowds three and four abreast flocked to see it. Many came from the eastern sector, wearing sunglasses to avoid being recognized. […] In 1959 the show even opened in Moscow as part of the American National Exhibition that summer. […] By 1962 when it stopped touring the exhibition had visited ninety-one locations in thirty-eight countries.”

“The Family of Man was a remarkable piece of cultural diplomacy on many levels. It certainly succeeded as a work of art, winning friends for America by virtue of its emotional impact. On the surface it was not an argument for American culture specifically. It displayed many cultures and sought to emphasize their shared experiences. Only a few images were identifiably American, and these included images that showed the downside of life in the United States such as Dorothea Lange’s pictures of dust bowl poverty in the 1930s. […] Rather than crassely presenting America to the world, America presented the world to the world and gained credit thereby […] To hammer the point home, short texts taken from the world’s great holy books and political philosophers accompanied the pictures.”

dorothea lange, title unknown.
quotation from: Cull, Nicholas J., ‘Public Diplomacy: Taxonomies and Histories’, Annals of the American Academy of Political and Social Sciences, no. 616, 2008, p. 40.

als ich mich nach möglichen neuen studienorten umsah, war eindeutig das fach ausschlaggebend. doch an eine kühle, technische universität zog es mich nun wirklich nicht zurück. leiden entpuppt sich mehr und mehr als kleines hogwarts (- und diese assoziation teile nicht nur ich, sondern der gesamte kurs). absolutes highlight war heute die verteidigung der doktorarbeit meines dozenten für konfliktstudien. sie fand in obig abgebildeten raum statt, der sogenannten senaatskamer. nicht nur die einrichtung des 18. jahrhunderts wurde bis ins kleinste beibehalten, auch die doktorverteidigung folgt den richtlinien der zeit und war teilweise in latein (“ora est!”). besagter dozent verteidigte seine arbeit zu “multiparty mediation” in ebenso souveräner weise wie er unterrichtete. bill zartman, a.k.a. godfather of negotiation, reiste extra aus der john hopkins university an um die verteidigung zu hören. nachdem die professoren - übrigens alle in bodenlangen schwarzen roben - den dozenten mit fragen gelöchert hatten, wurde schließlich mit pomp und popanz der titel verlieren. mit “cum laude”, natürlich.
es folgten häppchen und händeschütteln. viele aus unserem programm waren da, denn auch der doktor ist ein alumni. mir wurde hinterher klar, dass seine lehre wirklich einflussreich war und ich nun zu einer besonderen “school of thought” gehöre: eiskalte interessenanalyse von mediatoren in konfliktsituationen bleibt das A und O für dauerhaften frieden.

since moving to the low lands, reading and studying took precedence over caputring light and shapes. i aim to change that this second semester by the help of a high-quality phone camera. not a substitution for my beloved canon at all, but a good first step to come back home - to light and shapes.